MBV Music

Archive for January, 2009

January 29th, 2009 6:25am

Mental Slipping!

Rivers Cuomo “My Brain Is Working Overtime”Rivers Cuomo was a guest on Fresh Air with Terry Gross last week. It’s a very interesting interview. He’s very candid, and as strange as he can be, he comes off as being mostly quite unaffected and clear-headed. One thing that is apparent upon listening to him talk about all these different phases of his life and career is that he’s the kind of dude who feels compelled to take his every pursuit to a logical extreme — he seems to fundamentally reject the notion of doing anything halfway, and I greatly admire that about him, even when it leads to either creepy extremes in his personal life, or over-embracing the notion of democracy and collaboration to the point that it sidelines his own worthwhile efforts from Weezer albums in favor of less compositions by his band mates. [Buy it from Amazon.]

Read more at Fluxblog →

January 29th, 2009 12:13am

These Are Powers – “All Aboard Future”


These Are PowersAll Aboard Future
Out 2/17 on Dead Oceans
Now available for pre-order


January 28th, 2009 4:54pm

Micachu

Micachu & the Shapes – “Lips”

Not sure what I can say about Rough Trade’s newest signing Micachu & the Shapes except that I expect she’s probably got a very long and successful career ahead of her: any music that kids can use to drive their parents crazy is bound for ultimate glory.

Micachu’s debut album, Jewellery, is out 4/7 on Rough Trade.


January 28th, 2009 1:09pm

Sunny Day Real Estate, Lawrence, Kansas 10/10/98

Sunny Day Real Estate – “The Blankets Were The Stairs”
Live in Lawrence, Kansas 10/10/98

I don’t ever listen to music on random, but I randomly listened to this song just now because I typed “real emo” to call up Real Emotional Trash in my iTunes and it played through, and then this popped up because, you know, ‘Real’ and ‘emo.’ Goddamn, but I love this song. “Innnnnnferiorrrrrrgghgh!” I really appreciate how Jeremy Enigk used to sing everything as if he was having a full-on skull-exploding sanity-shattering nervous breakdown, and not just like a guy pretending to have a nervous breakdown. High stakes music!


January 28th, 2009 12:53pm

Maximo Park by Yes Studio


Maximo Park Art Direction, by Yes Studio


January 28th, 2009 12:00pm

Review of Loney Dear’s “Dear John”

Photo via PolyvinylPolyvinylImagine a man, standing alone on a dark stage with just a guitar. This is Emil Svanangen, the principal artist behind the Swedish pop entity known as Loney Dear. Imagine the stage lights come up, revealing a carefully crafted backdrop of meadows, villages and blue skies but still Svanangen stands, stoic and po-faced, while the orchestra swells while somehow remaining oh-so twee. This was Loney, Dear’s North American debut, Loney, Noir. Now imagine the stage sets fall away and the lights dim, shifting the mood from Summer to Autumn. And still Svanangen remains, sad-faced and beautifully melancholic. This was Loney, Dear’s second 2007 release, Sologne. Very similar in theme and structure to its predecessor, yet somewhat starked in presentation.

And now with Dear John, the scene is set in darkness cut with neon lights and a metallic tang in the air. As you might expect, Svanangen is still mining the same rich vein of lost love and the songs still build to soaring crescendos, but the structures are more baroque and the materials utilized more synthetic and mechanical than in past efforts. It certainly creates a different atmosphere that takes some getting used to, particularly for those initially drawn to Loney Dear for their more sprightly orch-pop inclinations, but there’s still enough familiar moves and melodies to keep things anchored. Some of these moves and melodies can come off a little too familiar - Svanangen doesn’t seem to have as many tricks in his arsenal as one would hope, but what he does do he still does well. Dear John tries to walk the fine line between trying something new and not fixing what’s not broke, and while it does wobble as a result and occasionally strays farther than one might like, it still gets where its going eventually.

MP3: Loney Dear - “Airport Surroundings”
Video: Loney Dear - “Airport Surroundings”
Stream: Loney Dear / Dear John
MySpace: Loney Dear


Andrew Bird gives interviews to The AV Club, Boston Herald and New York Magazine and gives Drowned In Sound a track-by-track breakdown of Noble Beast.


Lykke Li has released a new video.

Video: Lykke Li - “Tonight”


Magnet Q&A’s Jason Lytle, whose Yours Truly, the Commuter is out May 19.


The Yorkshire Evening Post talks to Richard Thompson, who recently got in a black cab and found himself recording a session.


SF Weekly congratulates John Vanderslice on the occasion of Tiny Telephone Studios’ 10th anniversary.


Woodpigeon are marking the release of Treasury Canada Library next Tuesday by giving away an EP for free over at eMusic. La Commission Scolaire contains tracks from the album, alternate versions and unreleased goodies to go along with the double-disc goodness of the record. Woodpigeon overload!


January 28th, 2009 10:45am

Poster: Built to Spill by the Decoder Ring Design Concern

Built To Spill
The Decoder Ring Design Concern, 2005


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