Nurses – “Technicolor” From the Portland band’s Dead Oceans debut, Apple’s Acre, out 8/4. Pre-order here.

“I was really broke and about to move back home. At the last minute I sent around some demos of my one-man band Beach Fossils—just for the hell of it, because I was leaving anyway. And then I heard back from Woodsist and Captured Tracks who were like, ‘We really like this and want to do a record.’ So I thought, Oh shit, I’ve got to stay now.”

- Beach Fossils’ Dustin Payseur, in New York Magazine

Beach Fossils – “Vacation”

The Fiery Furnaces are each recording solo versions of the I’m Going Away album, to be released in September(!) They say “only the words will remain the same.”

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Wild Beasts - “All the King's Men"” They're in like a pack of rats, handsome and gray. They weave between the glitter-balls, stalk up and down the bar. They slip a gift into every girl's pocket; flower-petals, pills, heavy gold coins. They never whisper; they murmur just loud enough for the girls to lean in close. They have perfect teeth and eyes like little stones. Did you see that bloke? says to Mary to Ella, tongue & teeth. He reminds me of stepping into a cold lake. [such a wonderful, wonderful song - pre-order / MySpace]

Lightning Dust - “I Knew” Like Otis Redding's “Try a Little Tenderness,” Lightning Dust's best song ends one round before it should, one round before the knock-out. This may be the point. It's a song about knowing love, after all - and too often that knowledge is up in a puff of smoke (or in a stop of organ) just after it's discovered. But all of us want love, lasting love - and all of us want will want this song to persist and persist; fierce and catchy; grim and warbled; baby-blue, silver and black. When we saw Lightning Dust open for Bonnie Prince Billy in May, they played this tune and Toby turned to me and we said together: “Great song.” Somebody slip it to Robyn. [pre-order]

Andrew Cedermark – “Hard Livin’” From a forthcoming split 7″ (with D.C.’s Family Portrait) on Underwater Peoples.

Fleet Foxes
Nate Duval, 2009