MBV Music

Archive for April, 2010

April 29th, 2010 12:31pm

HE HID THEM

Frances Densmore and Mountain ChiefFrances Densmore recording Mountain Chief

Mixylodian - “Make Me” For his debut LP, Mike Wray has reined in Mixylodian's maximalism. He surveys his resources like he is in a stables, admiring the reindeer. Finally one gets saddled up, dressed in silver, clap-flat horsehoes on the hooves. For "Make Me", Wray lets someone else sing his words. He doesn't need them; he has everything else. This is synth-pop without irony, without cutesy, straight as a trail. The solos are knots pulled tight. The final racket is note-perfect, gorgeous unglued, hammered out gold. A song to pin up over your bed.

[Buy Wild In Church / MySpace]

Continue reading at Said The Gramophone →


April 29th, 2010 12:03pm

LHB’s Shorties (Amanda Palmer, The Hold Steady, and More)


Amanda Palmer talks to the Prague Post about her Evelyn, Evelyn concept album.


Paste interviews singer-songwriter Robert Francis.


The Georgia Straight profiles the Besnard Lakes.

"I think that it’s a fair assessment," he says when asked about the record being labelled "prog" by four out of five reviewers. "I always hear from people that they are really quite confused on what to call it, so I think prog is easiest because it sort of encompasses a kind of wider range of styles. I never thought that Pink Floyd was prog rock, but people say it is."


The Quietus interviews Richard H. Kirk about resurrecting the Cabaret Voltaire name to create new music.


The Oregonian interviews Dandy Warhols drummer Brent DeBoer about his solo album, The Farmer.


Rock That Font is a blog dedicated to rock album cover typography.


Hold Steady frontman Craig Finn talks to Spinner about the band's new album, Heaven Is Whenever (out May 4th).


The San Francisco Bay Guardian interviews singer-songwriter Baby Dee.


The MetaFilter community recommends netlabels that share free and legal music.


The Guardian examines the Irish Music Rights Organization's royalty claims against Irish music bloggers.


April 29th, 2010 8:34am

Hannah Georgas

Photo By Frank YangFrank YangThanks to the rather depressed state of both the music and publishing industries, it’s not really surprising that in Canada we’re down to just one national music magazine, the venerable Exclaim. So it’s kind of telling when heading into a month where two of the three biggest names in Canadian rock (at least from the indie POV) are releasing new records, they instead opt to put a relative unknown just releasing their first full-length on the cover; which is to say they’re clearly pretty high on Hannah Georgas.

Though originally hailing from Newmarket, out on the outskirts of Toronto, Georgas is now based in Vancouver and it’s there that her just-released debut This Is Good was recorded. The title of the record might be an easy mark for critics, but by and large it delivers on that promise – she probably even could have gotten away with calling it This Is Very Good. It takes Georgas’ seemingly disparate jazz and folk influences and finds a common ground in the realm of radio-friendly pop music. Some of the stylistic ranginess smacks more of trying to cover bases rather than genuine eclecticism and the production could use a little less gloss and more atmosphere, but those quibbles fade in the light of the sheer catchiness of many of the numbers. Georgas has a flexible voice, possessing some of Feist’s breathiness, some of Sarah Harmer’s folksome twang as well as a quirky extrovertedness that’s hers entirely, and puts it to good use on standouts like “Chit Chat”, “Bang Bang You’re Dead” and the title track.

Read more at Chromewaves →

Photos: Hannah Georgas @ Criminal Records – April 27, 2010
MP3: Hannah Georgas – “Chit Chat”


The San Francisco Chronicle talks Forgiveness Rock Record with Broken Social Scene’s Charles Spearin. The record is out next Tuesday.


Holy Fuck have released the first video from their new record Latin, due out May 11.

Video: Holy Fuck – “Latin America”


The Hold Steady are making May 4 a day to hit up your local record store – their new one Heaven Is Whenever is out that day, and they talk to Spinner about some of the themes of the new album.


The Skinny talks to Matt Berninger and Aaron Dessner of The National while GQ finds the band showered and blue blazered in a fashion spread, alongside some of their New York indie rock brethren. Their new opus High Violet is out May 11.


The Antlers are featured in The Georgia Straight and their video session series at PitchforkTV ran three parts this week.


Le Blogotheque Take-Away Shows Quasi.


Clash gets a behind the scenes look at Disconnect From Desire from School Of Seven Bells – the new record is out July 13.


April 29th, 2010 7:52am

Karen Elson – “The Ghost Who Walks”

Karen Elson - The Ghost Who Walks
Karen ElsonThe Ghost Who Walks
Out 5/25 on Third Man/XL


April 28th, 2010 10:07pm

Download A New Interpol Song, “Lights”


April 28th, 2010 5:56pm

MP3: Phosphorescent – “The Mermaid Parade”

Phosphorescent - Matthew Houck

Phosphorescent – “The Mermaid Parade” How nice, Dead Oceans just sent over this brand-new track from Phosphorescent‘s new one, Here’s To Taking It Easy, coming on 5/11. You can pre-order the record now (and get an instant download now, to boot).

(And P.S.: grab another mp3 here.)


April 28th, 2010 3:57pm

MP3: Shout Out Louds – “Walls” (Fontän Rework)

Shout Out Louds

Shout Out Louds – “Walls” (Fontän Rework) This track from the latest Shout Out Louds album, Work (out now on Merge) gets the remix treatment from Swedish electronic duo Fontän– enjoy.


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