MBV Music

Archive for November, 2010

November 11th, 2010 11:58am

I Can’t Tell If You Want To Hit Me Or If You Want To Dance

Das Racist featuring Chairlift - “Fashion Party”One thing Das Racist excel at doing is calling attention to imbalances in social power, and highlighting ways we can be ignorant of and/or insensitive to other people’s contexts often without necessarily having negative intentions. Some of these misunderstandings and tensions get laughed off, sometimes they are cause for sharper words. A lot of the time their critique falls somewhere in between, as they go for a lot of ambiguous targets. There’s always this understanding that these race and class relationships are complex, that histories are tangled and confusing, and we’re usually not aware of when we’re being racist because, well, that’s what ignorance is — not being aware. Das Racist aren’t the types to offer solutions, but they’re really good at pointing out ignorance, and that’s a valuable service in and of itself.

“Fashion Party” is an interesting song for them in that their songs usually only represent one side of a socially awkward encounter, but this one covers both sides, and they are equally uncomfortable. The premise of the song is that the group have been invited to some fashion event, and while both Das Racist and the woman who invited them — portrayed by Chairlift’s Caroline Polachek, a surprisingly solid rapper — want something from each other, they’re not really committing either way. The Das Racist guys are attracted to the glamor and money and beautiful women, but they feel out of place. It throws them off and makes them defensive, which in turn sends weird signals to their host, who sings “I don’t know if you want to hit me or if you want to dance.” There’s some desire for connection here, even if it’s just for rather shallow ends, but it doesn’t happen because everyone is too self-conscious. The song sounds smooth and relaxed, but at its core “Fashion Party” is uncertain and too self-aware to actually have a good time. Thankfully, that nervousness doesn’t transfer to the listener and override the soft, luxurious tone of the track.

Get it for free via Das Racist’s website.


November 10th, 2010 4:12pm

Telekinesis – “12 Desperate Straight Lines”

Telekinesis cover art
Telekinesis12 Desperate Straight Lines
Out 12/15/2011 on Merge

Telekinesis – “Car Crash”


November 10th, 2010 3:51pm

7 Inches of MBV: Japandroids – “Heavenward Grand Prix”


Today’s streaming 7-inch is the new one from Japandroids; the latest in their 5-part 7-inch series. “Heavenward Grand Prix” is an all-new track, and “Shame” is a PJ Harvey cover (from her awesome 2004 record Uh Huh Her). The street-date for this one isn’t til next week, but you can actually order it right this very second — on clear vinyl — from the Polyvinyl store.


November 10th, 2010 2:45pm

Shugo Tokumaru – “Port Entropy”

shugo-tokumaru-cover-art
Shugo TokumaruPort Entropy
Out 2/15/2011 on Polyvinyl


November 10th, 2010 11:39am

Death – “Spiritual, Mental, Physical”

death-cover-art
DeathSpiritual, Mental, Physical
Out 1/25/2011 on Drag City


November 10th, 2010 10:13am

LHB’s Shorties (Religious Experience in Indie Rock, The 1900s, and More)


Religion Dispatches explores the varieties of religious experience in indie rock.


The Pitt News profiles the 1900s and their latest release Return of the Century, a concept album about "a British woman named Licorice who left her family in search of an adventure and disappeared from the public radar."


Seattlest interviews Junip's Jose Gonzales.

For those not yet familiar with your work, what key elements might help them identify what they're hearing as Junip?

We play some sort of folk rock, sometimes with hint of kraut and psych. The setting is acoustic guitar, keyboards, drums, congas and bass.


Caribou's Dan Snaith talks to The Journal about his brand of electronic music.

When it comes to the rise of electronica and dubstep, particularly amongst the indie and 'hipster' scenes, Snaith acknowledges that he "wasn't outside of the trend or oblivious to the change, I became more and more interested in the genre and I think it’s an exciting time for dance music." The evolution in Caribou's sound has brought the music to a whole new audience and the people now surrounding the act reflect that. Whereas Andorra was toured with support from indie band Born Ruffians, Swim is being toured on the same bill as hot dubstep and techno/house producers like Theo Parrish and Jamie XX.


The Daily Bruin profiles Best Coast.


The Georgia Straight profiles Toro Y Moi.

Among the folks who do like Toro Y Moi is Kanye West, who earlier this year tweeted about his love for "Talamak", a dreamy ballad that epitomizes the chillwave sound. In the tradition of most tracks from that scene, "Talamak" sounds like a secondhand tape of vintage AM-radio pop that’s been left out in the sun too long. It's sweet and warped in equal measure, the singer's halting falsetto drifting over a hazy background of swirling synth lines and irregular-heartbeat drums.


At Pop & Hiss, actor Zach Galifianakis shares his current musical obsessions.


The Line of Best Fit is streaming the Soft Boys' reissued album Underwater Moonlight.


Those Who Dig interviews me for its "The Blogger Lowdown" series.


Aquarium Drunkard interviews Corin Tucker about her new band.


I Like Trains' David Martin offers a track-by-track breakdown of the band's new album He Who Saw the Deep at Drowned in Sound.


Daniel Lanois guest DJs for All Songs Considered.


November 9th, 2010 12:51pm

The Mynabirds – “All I Want Is Truth (For Christmas)” b/w “This Will Be Our Year” 7″

mynabirds-truth-cover-art
The Mynabirds“All I Want Is Truth (For Christmas)”
b/w “This Will Be Our Year” 7″

Out 12/7 on Saddle Creek

New holiday single backed by a cover of the Zombies’ classic.


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